Workshopping. That word, I think, conjures up a visceral reaction in nearly everyone who has taken part in one, and often that reaction isn’t positive. I have been in workshops that felt petty and pointless, workshops that felt less like writers helping each another and more like crows picking apart roadkill.
When workshops are handled well, though, they can be indispensable. Because no matter how long we’ve been writing, we still can’t get enough distance from our own work to be completely objective about it. Workshopping provides that little reality check from others who are less invested, but it also can answer some BIG QUESTIONS: Is what we’re trying to say actually getting across on the page? Does our work match up with our intentions? A good workshop can show us little veins of gold shimmering in places we didn’t even know were there. But a great workshop does even more. It lets us see possibilities in our writing even when the work being discussed isn’t our own.
